
MACABRE OMEN – Gods of War – At War
It is impossible not to mention, when talking about Greek black metal, Alexandros Antoniou and his epic black metal band. His masterpiece, released in 2015, can be considered one of the best albums in its genre

It is impossible not to mention, when talking about Greek black metal, Alexandros Antoniou and his epic black metal band. His masterpiece, released in 2015, can be considered one of the best albums in its genre

Live report of the night featuring Arizona’s thrashers.

New York’s underground scene has always thrived, particularly within the death metal realm, spawning countless bands and landmark releases. Among these stands Voracious Contempt, widely regarded as a forerunner of the slam sound.

After Batalla de las Bandas, this new musical movement grew with numerous bands. Some lasted only a short time, others are still active, but all have passed down to future generations their stylistic legacy, which remains exemplary today.

In an era when metal was still finding its voice, a corner of Latin America swiftly gave rise to a groundbreaking and historic movement.

Three very young Indonesian girls have chosen metal to promote equal rights and challenge social stigmas. But they face opposition from religious fundamentalists.

From Nervosa to Crypta, through bands like Konvent and a wide range of solo projects, countless women are carrying the tradition forward—and they never stop impressing.

In the collective imagination, it is difficult to associate women with a genre considered too masculine. But reality tells a different story.

After its rapid expansion, the black metal scene grew quickly across the United States, evolving into a unique and distinctive sound that varies from region to region thanks to numerous different movements.

The United States has always been fertile ground for the emergence of new extreme music scenes. One of these is USBM, which, throughout its history, has had its ups and downs, its evolution, its die-hard fans, and its share of headlines

It is impossible not to mention, when talking about Greek black metal, Alexandros Antoniou and his epic black metal band. His masterpiece, released in 2015, can be considered one of the best albums in its genre

Live report of the night featuring Arizona’s thrashers.

New York’s underground scene has always thrived, particularly within the death metal realm, spawning countless bands and landmark releases. Among these stands Voracious Contempt, widely regarded as a forerunner of the slam sound.

After Batalla de las Bandas, this new musical movement grew with numerous bands. Some lasted only a short time, others are still active, but all have passed down to future generations their stylistic legacy, which remains exemplary today.

In an era when metal was still finding its voice, a corner of Latin America swiftly gave rise to a groundbreaking and historic movement.

Three very young Indonesian girls have chosen metal to promote equal rights and challenge social stigmas. But they face opposition from religious fundamentalists.

From Nervosa to Crypta, through bands like Konvent and a wide range of solo projects, countless women are carrying the tradition forward—and they never stop impressing.

In the collective imagination, it is difficult to associate women with a genre considered too masculine. But reality tells a different story.

After its rapid expansion, the black metal scene grew quickly across the United States, evolving into a unique and distinctive sound that varies from region to region thanks to numerous different movements.

The United States has always been fertile ground for the emergence of new extreme music scenes. One of these is USBM, which, throughout its history, has had its ups and downs, its evolution, its die-hard fans, and its share of headlines